This Is What It Looks Like to Change a Child’s Life

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On the far side of the indoor basketball court, a line of wobbly-kneed elementary school kids stomps through a sequence of shuffle-step, shuffle-step with their dance teacher clapping time. Their shiny, tiny tap shoes clobber the gymnasium with sounds, their faces an endearing mix of intense concentration and unadulterated joy.

Out of context, this line of adorable grade schoolers looks like any other kids’ dance class, but there is a stark difference: these children are in the temporary safety of Metropolitan Ministries’ shelter, their lives upended by homelessness, domestic violence and other horrors beyond their control and not of their making.

Facing an uncertain future and abrupt changes, these children have this dance class in which to feel their joy, to be kids among kids, to have a normal, kind, loving thing happen to them at a predictable time every week. This one dance class helps hold their worlds together. This one dance class works its small, tireless magic to calm the beast of trauma ravaging their lives.

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“These kids, so many of them, have a history that should happen to no one,” says Janet Pantaleo, vice president – major gifts officer of Metropolitan Ministries (Met Min). “The transformational power of the arts, it’s tremendous. There’s no question about it. Yes, people have needs like food, shelter, rest … but humans need a creative outlet, too, to be alive. These children love their dance class, their music class, their theater class.”

Quietly and tenaciously, the Straz Center has offered performing arts classes for the children of Met Min since 2007. Today, we offer in-school and afterschool programs. We are there for hip-hop class, tap class, ballet class, music and theater. We are there when homeless children need hope, need a way to communicate without violence, need to feel confident and hear a roomful of people applauding their achievement.

“The kids have been blessed, very, very blessed to have been given this opportunity to have performing arts classes. How intimidating is it to stand up in front of people and do a tap dance or speak your part of a play? But they do it,” Pantaleo says, “and they gain confidence. Then they think, ‘if I can do that, what else can I do?’ Our relationship with The Straz makes us able to give well-rounded support. It’s mind, body and spirit.”

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Some of those elementary-aged kids clomping through shuffle-step at the end of the basketball court? They will utilize full scholarships to train at the Patel Conservatory – and who knows where they’ll be able to go after that.

Every one of our classes for Met Min children happen 100% through donor support. When you give to The Straz this holiday season, you’re also giving to Met Min and every one of our other 44 community partners. That’s what we call playing it forward.

Together, we can keep changing lives through the power of the performing arts.

Onward, Cavaliers

NGB’s Sugar Plum Fairies Get Sweet Partners in NYCB Principal Amar Ramasar and MCB Principal Renan Cerdeiro

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Amar Ramasar (L) and Renan Cerdeiro (R).

The word is out about the big ballet stars appearing in Next Generation Ballet’s Nutcracker, which features the George Balanchine grand pas de deux and New York City Ballet star Sara Mearns and former Miami City Ballet principal Patricia Delgado alternating the role of Sugar Plum Fairy.

But what about the man in tights executing the unbelievable sequence of leaps and mid-air turns? That’s her Cavalier—in the case of Nutcracker, the name of the role, but the word “cavalier” also refers to a ballerina’s male partner. His job is primarily to show her off and secondarily to wow audiences with a small but virtuosic solo, which is the case for Sugar Plum’s Cavalier.

NGB’s artistic director and former principal with New York City Ballet Philip Neal called in two friends who are rather well-known in the sphere of cavaliers—male dancers with the grace, chops and personality to match the sublime, extraordinary talents of Mearns and Delgado.

Often partnered for NYCB, Amar Ramasar and Sara Mearns perform together for Nutcracker on Friday and Saturday night.

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Amar and Sara Mearns performing together in Justin Peck’s ‘Rōdē,ō: Four Dance Episodes. (Photo: Paul Kolnik)

Watch them in an episode of People magazine’s short series American Doers: http://people.com/human-interest/amar-ramasars-journey-from-the-bronx-to-center-stage-at-lincoln-center/

Ramasar, a Bronx kid who saw a videotaped version of Balanchine’s Agon and decided on the spot to be a ballet dancer, hid his training at School of American Ballet, the school founded by Balanchine and Lincoln Kirstein, from his neighborhood friends. Ramasar started late, at 12 years old, and found himself learning the basic steps in classes with five- and six-year-olds. Determined and on fire, Ramasar advanced quickly to graduate on time with his peer group. In 2001, NYCB invited him to join the company. Ramasar was cast as the Cavalier that year in their Balanchine Nutcracker, a must-do of the New York holiday season. He’s been a principal dancer, the highest rank, since 2009.

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Amar will play Jigger in the upcoming Broadway revival of Carousel and is also set to appear in the new dance film Meta. (Photo: Paul Kolnik)

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Amar, and other NYCB dancers, showed off their moves in a recent campaign for Cole Haan. Do you recognize any other dancer faces in the GIF above?

On the Thursday night performance of NGB’s Nutcracker, principal dancer for Miami City Ballet, Renan Cerdeiro, performs Cavalier with Patricia Delgado. Dancers from MCB tend to talk about what a family they have with the company, and you can see here that Renan and Patricia are close on and offstage:

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Renan and Patricia Delgado dancing together on stage (L) and off stage (R). (Photos from Instagram: @renancerdeiro)

Renan, born in Brazil, joined MCB as a teenager, landing solo rank at 18 years old. One of the first Brazilian dancers in MCB (the other was his lifelong friend Nathalia Arja), Renan instantly became known in the company as the dancer who has everything: looks, height, technical beauty and flawless musicality. Plus, he loves Broadway musicals and Disney movies, so he may be a perfect person.

When asked about his turn as Cavalier, Renan told us, “I can’t wait to share the stage with the talented students of Next Generation Ballet for their dazzling Nutcracker. The Nutcracker is a holiday tradition for a lot of families, and it always feels special to share this magical ballet with audiences year after year. It is also very exciting for me to be reunited with the exceptional Phillip Neal, having worked with him in the past at Miami City Ballet. It is a treat to have his guidance again.”

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Photo from Instagram: @renancerdeiro

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Renan and his cat, because we all love cats. (Photo from Instagram: @renancerdeiro)

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Photo from Instagram: @renancerdeiro

With Sara Mearns/Amar Ramasar and Patricia Delgado/Renan Cerdeiro appearing in the most-anticipated roles of the holiday season’s ballet tradition, we’re expecting a high demand for tickets to Next Generation Ballet’s Nutcracker. Make sure you get yours here  to see these stars performing with our exceptional pre-professional company directed by NYCB alum Philip Neal.

EXCLUSIVE: Retired Miami City Ballet Principal Ballerina-Turned-Teacher Patricia Delgado Talks Sugar Plum Fairy and Dancing in Nutcracker at The Straz

Lauded principal ballerina Patricia Delgado retired from Miami City Ballet this year after an extraordinary career with the company that began when she was 16 years old. An exquisite technician and breathtaking artist, Delgado gave soul to MCB, and arrived at The Straz last summer as a guest artist (along with Balanchine great Edward Villella) for the NGB summer intensive. It was our privilege to catch up with her to talk about her upcoming role with Next Generation Ballet’s Nutcracker.

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Photo: Gio Alma

CAUGHT IN THE ACT: How was your first experience dancing Sugar Plum Fairy? What did it mean to you as a dancer to finally have arrived in this prestigious role? What does it mean to you at this point in your career?

PATRICIA DELGADO: I remember the first year I had the opportunity to perform as the Sugar Plum Fairy with the Miami City Ballet. I was extremely excited but way too nervous! I was young! I was still in the corps de ballet and loved getting to perform in snow and flowers every single show and every now and then get to do lead Marzipan. I couldn’t believe I would get to dance the grand pas de deux. It was very emotional for me because I had grown up doing the children’s roles in Miami City Ballet’s The Nutcracker, and all of the ballerinas I idolized so much had mesmerized me in this role for so many years. It was such a big deal for me. I remember working very hard and rehearsing a lot and still feeling very nervous! I have to say that even though my first show felt like a huge emotional achievement, it wasn’t my best performance at all.

I remember my partner and I were both new in the role, and we were very shaky. Now, looking back … I was just very young and inexperienced. However, what reassured me and helped me to stay calm and happy was knowing that I would hopefully get to work on it every single year since it is such a tradition. Every year when Nutcracker season strolls around, I’m excited to see how far I have come from the year before. I take note of how I learn artistically to interpret the music on a deeper level or approach the technical elements with more finesse and confidence. The other perk of dancing The Sugar Plum every year is trying the pas de deux with so many different Cavaliers. Each one I have been fortunate enough to dance with has shown me the pas de deux from a uniquely different perspective, and I love exploring that!

This year, I’m beyond words excited to get a chance to dance with principal dancer from the New York City Ballet, Gonzalo Garcia*, for the first time. He has been a dream partner of mine for a long time and to get this opportunity means the world to me. When I watch him dance, he makes me want to work harder and harder at being a better dancer and getting to feel his passion on stage will be such a treat! He is such a giving partner. I feel incredibly fortunate.

Watch Patricia dance in this new music video for the National’s “Dark Side of the Gym” with Justin Peck, who also directed the video:

CITA: What do you bring to the interpretation of the Balanchine choreography that you feel like is “yours”?

PD: What I love about this version is how incredibly musical it is and how beautifully the steps show off the music. Balanchine is just the absolute best! I really get lost in the mystery and luscious adagio quality of the pas de deux. What I just completely adore about the variation is how sweet it is. I imagine all of the little angels around me having conversations with me and sharing little secrets with me that just fill my heart with flutters of joy.

CITA: Will you talk a little about what you are looking forward to most about working alongside the Next Generation Ballet pre-professional company? Philip gushed about what great examples of professional dancers you all are, and he mentioned that you would all be great with the younger dancers.

PD: I’m so excited to be dancing alongside the Next Generation dancers because this past summer, after teaching for a week at the summer intensive, I was just blown away by the talent, work ethic, dedication and the positivity of all the students. I left Tampa rejuvenated and completely inspired by so many young amazing dancers. They fueled me! To share the stage with them is an honor, and I cannot wait to get the chance to see them light up on stage.

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Patricia working with a student during Next Generation Ballet’s 2017 Summer Intensive.

CITA: What are you eager to see, do (or eat) during your stay in Tampa? You know we have the best café con leche and Cuban sandwiches (sorry, Patricia!, we know Miami is strong in these regards).

PD: Tampa is such a booming city. I love the location of the Straz Center along the river and in such a developing part of downtown. I can’t wait to go to Ulele, one of my favorite restaurants. Also, it’s my first winter living in NYC after living my whole life in Miami, so I’m very much looking forward to the sun and the warmth which I miss this time of year! I’m also looking forward to spending time with Philip and the amazing teachers at Next Generation Ballet.

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Patricia teaching during Next Generation Ballet’s 2017 Summer Intensive.

Patricia Delgado performs Sugar Plum Fairy during the Thursday night performance, and Sara Mearns performs Friday and Saturday nights.

Meet Patricia in this video with her sister, Jeanette, as they talk about performing with MCB:

 

*Due to a recent injury, Gozalo Garcia will not be appearing in Nutcracker. However, we are excited to announce that Miami City Ballet principal Renan Cerdeiro will perform with Patricia Delgado as the Cavalier.

EXCLUSIVE: Ballet Star Sara Mearns Talks Sugar Plum Fairy and Dancing in Nutcracker at The Straz

New York City Ballet principal dancer Sara Mearns recently starred in The Red Shoes on Broadway and in George Balanchine’s The Nutcracker® for NYCB. Beloved by young ballerinas and a superstar onstage, Mearns is also a face of Guerlain perfume and Cole Haan. She works with many dance organizations to inspire people to love classical ballet as well as prevent injuries. It was our privilege to catch up with her to talk about her upcoming role with Next Generation Ballet’s Nutcracker.

CAUGHT IN THE ACT: Describe your first experiencing dancing Sugar Plum Fairy … what did it mean to you as a dancer to finally have arrived at this prestigious role? What does it mean to you at this point in your career?

SARA MEARNS: I remember the first time I performed Sugar Plum. I danced it with Stephen Hanna who was already a principal, and I was a soloist at the time. Fortunately, I had done some pretty big roles like Swan Lake, Faust, and Western Symphony to name a few. I sort of had a sense of what it would feel like out there, and I don’t remember being nervous at all. Stephen took great care of me. That was in 2006. Since then, I have had my shares of ups and downs in my career and particularly with Nutcracker. Personally, the holidays are a strange time for me, and I’m always very exhausted at the end of the year after so much dancing. I had a bout with stage fright last year during Nutcracker that took me away from the stage for a bit, so now I’m back and feel much more confident. I try to go out there and think about all the little kids and aspiring dancers watching. For most people, it’s the first ballet they’ve seen, and I want to make it special for them, so it’s not about me anymore. No matter how good or bad the performance is, the kids are just seeing the ballerina role they want to be some day, and it makes me so happy that I can be that for them.

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CITA: What do you bring to the interpretation of the Balanchine choreography that you feel like is “yours”?

SM: I recently got a compliment/comment on my interpretation of Sugar Plum and it was “unconventional”… and, yes, I will most certainly take that as a compliment! I don’t want to look like anyone else, and that is what’s brilliant about Balanchine’s choreography. Every ballerina can look completely different and have her own take on it, But, the steps and musicality is clearly Balanchine. The pas is so perfect that I could never imagine doing another version. The build-up is just right, and it has the audience on the edge of their seat the whole time. It never gets old hearing the excitement of the audience at the end. It’s so beautiful.

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Sara Mearns photographed at the 1896 studios in Brooklyn. (Photo: Pari Dukovic)

CITA: Will you talk a little about what you are looking forward to most about working alongside the Next Generation Ballet pre-professional company? Philip [Neal, artistic director for NGB and former NYCB principal dancer] gushed about what great examples of professional dancers you all are, and he mentioned that you would all be great with the younger dancers.

SM: As I said before, more than any other time during the year, the Nutcracker is about the children and creating a magical world that they will fall in love with. I love going to suburban schools all over the country and sharing my experiences and my dancing with others. I was in their shoes a long time ago, so I want to give back and show them what they can achieve if they work really hard and stay true to themselves. Can’t wait to meet all the students in Tampa! Also, Philip is a dear friend and a role model of mine. I was so lucky that I got to dance with him in NYCB. I learned so much from him as a colleague, friend, and teacher. He is a true light in the dance world.

CITA: What are you eager to see, do (or eat) during your stay in Tampa? You know we have the best café con leche and Cuban sandwiches.

SM: I’ve never spent much time in Tampa! So, I’m looking forward to eating and seeing all new things. As you know, we don’t get much time there due to our schedules, but we will cherish the very little time that we have. Thank you for having me!

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Sara Mearns and Philip Neal, artistic director of NGB, at Philip’s final performance with NYCB.

Sara performs as Sugar Plum Fairy in the Friday and Saturday night performances of Nutcracker. Thursday night, Patricia Delgado performs Sugar Plum Fairy, and we will profile her in next week’s blog.

To get a glimpse of Sara in action, watch this one-minute clip of her with her partner, Amar Ramasar, who will be dancing with her in NGB’s Nutcracker. Here, they dance Balanchine’s Brahms-Schoenberg Quartet: