The Can Do Man

Mural artist Eric Hornsby, known as esh, has put his work on The Cube in the Jaeb Courtyard for a few years. Now he gathers some of the area’s premier mural artists to open a brand new Art on the Walk exhibit during our Open House Party on Oct. 6.

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Eric “esh” Hornsby in action. (Art/photos: Eric Hornsby)

Caught in the Act recently sat down with aerosol artist (a.k.a. medium of choice is spray paint) and friend of The Straz Eric Hornsby to find out more details about his story, his artistic process and the upcoming Art on the Walk exhibit that features him and other great Tampa-area mural artists Eddie Rivera, zeros, the Capco crew and reda3sb. Together, they’re installing panels of mural art inspired by people and places of Tampa during our annual free festival, the Open House Party, on Oct. 6.

Woman with gharial

Woman with gharial (Art/photo: Eric Hornsby)

Eric’s roots in Florida go deep, starting when his family moved to Thonotosassa from the northeast after his grandfather, a retired New York police officer, bought a mobile home park in that rural area of Hillsborough County. “I have to give a lot of props to my Uncle Joe who passed away two, three years ago,” Eric says. “He had a canoe, and we didn’t even have to ask, we’d just borrow it. Literally walk five miles with the thing on our back to the lake and paddle out. I was a nature lover from the go. Living like Huckleberry Finn out there for real. We made homemade bows and arrows; we’d just camp out and cook anything we shot. We ate all that stuff. I used to swim from Sargent’s Park to Morris Bridge, that part of the Hillsborough River, for the adventure of it. Alligator-infested water,” he laughs.

Eric’s upbringing in the Florida woods led to his first career in the wilderness, first as a canoe guide, then as a park ranger, then to his job as an on-site land manager for Hillsborough County’s conservation department. Wild as he was in this career, he kept returning to his first love: art. Mostly self-taught by emulating manga, cartoon styles and comic books, Eric’s artistic style, a mash up of those styles with lurid nature symbolism, evolved. He wanted to be a professional artist, and the time came for him to put up or shut up.

disco melon ball collage

Mystery of the disco melon ball (Art/photos: Eric Hornsby)

“I read a book by Tim Ferris. Somewhere he says, ‘if you’re not doing the things you love …” essentially meaning if you’re not choosing the life you want, you’re living a false life. I was like, ‘I can’t live a false life!’ It really hit me hard, so I started moving from point A to point B, reading a lot of books to motivate me to do what I wanted to do,” says Eric. He dropped down to part time and focused on becoming a professional artist.

“Eat, Sleep, Hustle,” or esh for short, emerged.

To hear Eric speak more in-depth about his transformation and about when you can meet him and the other artists at The Straz, plug into Act2, the Straz Center’s official podcast. Our interview with Eric goes live on Thursday, 9/27/18. During the interview, we discuss his work outside of The Cube, including the paintings and murals pictured above.

We’ve included a few favorites from The Cube that you may remember below.

Cube_Threepenny Opera_Pirate Jenny

The Threepenny Opera-inspired art by Eric Hornsby.

Cube_Wicked

Wicked-inspired art by Eric Hornsby.

Cube_Rent

RENT-inspired art by Eric Hornsby.

Cube_Curious Incident

The Curious Incident of the Dog in the Nighttime-inspired art by Eric Hornsby.

Come meet Eric at our Open House Party with the other mural artists (samples of their art pictured below) and remember to catch his interview on Act2.

Sample_zeroes

Art on the Walk exhibit artist: 20-year street art veteran, zeros.

Sample_JP Parra and Vanessa Parra

Art on the Walk exhibit artists: Capco mural team, Juan Pablo and Vanessa Parra

Sample_Eddie Rivera

Art on the Walk exhibit artist: Tampa graffiti legend Eddie Rivera

Sample_Reda

Art on the Walk exhibit artist: International artist Reda3sb

Sample_eric hornsby

Art on the Walk exhibit artist: Eric “esh” Hornsby

He Had It Comin’

B&B

Belva Gaertner (L) and Beulah Annan (R)

The true story of the accused but acquitted Chicago beauties who inspired musical legends Roxie Hart and Velma Kelly

The Bob Fosse masterpiece we know and love today as Chicago the musical actually started with two real women and two real murdered men. In Chicago. In the Roaring 20s.

1924 to be exact.

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A headline from the Chicago Tribune on June 6, 1924 (L) and Belva Gaertner sitting with her defense attorney, Thomas D. Nash (R).

In March of that year, Belva Gaertner, a comely cabaret singer, happened to leave a bottle of gin in her parked car. Unfortunately, she also left a dead man and a gun in the car as well. Accused of killing said man—a young car salesman named Walter Law—Belva found herself in the Cook County jail, the subject of newspaper headlines and journalists who voted her “most stylish” in the clink. Decked out in ravishing bell hats, furs and delicately form-fitting dresses, Gaertner endured her trial as one of the two most famous faces of Murderesses Row. (It was really called that.)

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A headline from the Chicago Tribune on April 4, 1924 (L) and Beulah Annan with lawyer William Scott Stewart on her left and her husband, Al, on her right (R).

The other, 23-year-old Beulah Annan, found herself in Belva’s company on Murderesses Row in April. Called “the prettiest woman ever accused of murder in Chicago,” Annan, in a lapse in judgement, confessed to the murder of her manstress, Harry Kalstedt, later backtracking, stating she and Harry “both reached for the gun” during a quarrel. We bet you’ve figured out which character Beulah becomes in Chicago by now, but if you haven’t, Beulah also came with a faithful and extremely naïve husband who stood by her during the trial despite having found a dead man in his bedroom with his wife.

Naturally, there’s also a lot of booze in the backstories as well as another beautiful woman—innocent of any crime other than being a flagrantly biased journalist. This woman, Maurine Dallas Watkins, worked for the Chicago Tribune covering crime “from a woman’s perspective.” Watkins wrote very descriptive and judgy accounts of Belva and Beulah, then, when all was said and done, she took her ultra-popular crime articles to Yale University to finish studying playwrighting, which she’d abandoned for the Tribune gig. [It’s worth noting that Watkins started her studies at Radcliffe College and was in the same class as Eugene O’Neill.]

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Maurine Watkins, the Chicago Tribune crime reporter who went on to write the play Chicago, circa 1927. (Photo: Florence Vandamm, Vandamm Studio)

At Yale, Watkins turned the stories into a play.

You guessed it: Chicago, starring Velma Kelly—a comely cabaret singer—and Roxie Hart, the gamine beguiler with a dopey, impossibly faithful husband. The show landed a spot on Broadway, ran for 127 performances before closing, then years later fell into the hands of another comely cabaret singer. That woman, Gwen Verdon, happened to be married to Bob Fosse. “Bob,” we imagine her saying, “you gotta make this into a musical. It’s what I want … give in!” [Gwen played the devil Lola in Damn Yankees, so whatever she wants … you know the rest.]

Fosse tried to convince Watkins to give him the rights to the script, but she wouldn’t. Watkins was pretty amazing, which you can read about in this tribute by the Tribune.

When she died, though, her estate granted Fosse and Verdon the rights. Chicago the musical, starring Verdon and Chita Rivera as the most famous Merry Murderesses, was born. Belva and Beulah faded to the corners of Windy City history while Velma and Roxie hot honey ragged their way into musical history.

Catch Chicago when it razzle-dazzles The Straz next week.

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Gwen Verdon as Roxie Hart (L) and Chita Rivera as Velma Kelly (R) in the 1975 Broadway production of Chicago, directed by Bob Fosse.