Tools of the Trade: Music

We’ve realized Straz fans love knowing what goes on outside of the spotlights, so we’re running a short series called Tools of the Trade, listing some cool and maybe-unheard-of tools for life in the performing arts. This week’s spotlight is on music.

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Gouging Machine

Not just for medieval torture anymore, the gouging machine serves professional oboe players in the manual labor of their art—the making of reeds. Unlike clarinet and sax players, who can purchase pre-made reeds, oboists and bassoonists must learn to make their own. So, before practice comes the making of reeds, a time-consuming, meticulous process that involves a gouging machine which thins and contours the piece of cane that becomes the reed.

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Drum Key

The glorious kettledrums, unlike many drums, must be tuned to specific notes – which is where this little gem comes in quite handy. The timpanist fits this key on the screws securing the drum’s head to the kettle and gives it a quick quarter-turn ratchet to adjust the tone. Originally a Middle Eastern invention, the kettledrum traveled around the world, entering Western symphonic music as the timpani around the mid-17th century.

 

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Felt Wedge

While this handy little gizmo can double as a door stopper, the felt wedge has an important role to play in the life of a piano. Tuning a piano gets tricky because there are a lot of strings in that bad boy, and what happens if you accidentally hit the string next to the one you’re trying to tune? Well, then. If you have a felt wedge, you can mute the surrounding strings and get on with your business.

 

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Eight Dollars and Some Change

… will buy you a decent conductor’s baton, which happens to be the least expensive tool in any orchestra according to Detroit Symphony Orchestra harpist and blogger Patricia Masri-Fletcher. Of course, some batons run much more than that, like these Mollards, which we imagine choosing the conductor, much like a wand to a wizard. (“12 inches, cocobolo knob, birch shaft, pliable … ah, yes.”) With many conductors of major metropolitan symphonies making million dollar salaries, that’s quite a return on investment.

 

Tools of the Trade: Theater

We’ve realized Straz fans love knowing what goes on outside of the spotlights, so we’re running a short series called Tools of the Trade, listing some cool and maybe-unheard-of tools for life in the performing arts. This week’s spotlight is on theater.

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Orange Stick

Nope, not for fingernails—for eyelashes. False ones, that is. False eyelashes make the eyes pop, so many actors apply a pair before hitting the stage so the audience can better “read” the performance. However, if you’ve never put on a pair, these difficult-to-hold benign spikes glued upon the lash line require the hands of a surgeon and the patience of a rock. Orange sticks, typically used to push back cuticles in a manicure, aid and abet an actor needing help fitting the lash precisely to the curve of the eye.

 

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Gaff Tape

Ask a theater person—whether that pro is an actor, stage manager, theater owner or lighting tech—and she will tell you the go-to catch-all for any theater need is gaff tape. Originally used to tape or “gaff” lighting cables to the floor to avoid tripping over them, gaff tape proved to be useful for almost everything. Need a quick repair to a ripped costume hem? How about putting part of the set together? What to do about making a hat band, fixing a broken prop? Gaff tape. All of it. Just gaff tape. Everywhere.

 

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Milk of Magnesia

Theater lights emit a lot of heat. So, even though you may always bring a sweater for a show, the actors are hammering their parts underneath rows of high-energy lights that create a giant French fry warmer. The key to minimizing face sweat is to apply a thin layer of Milk of Magnesia before donning show makeup. The MOM dries, creating a tight mask that keeps the sweat down and adds the bonus of preventing makeup from flaking.

 

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Pencils, Erasers, Highlighters, Pens and Throat Coat

The actor’s toolbox somewhat resembles the back-to-school supply list for winter term. Acting and putting on a show require so much preparation, and almost all professionals keep notes, mark scripts, highlight their lines or tech needs and copy out their lines to help with memorization. When performers go “off book,” or start to deliver their lines without using the script, rehearsals kick into high gear. Voices must be protected; after all, an actor with laryngitis is very bad for business. Enter Throat Coat. This herbal concoction of primarily licorice and slippery elm bark soothes the voice with something akin to a loving embrace of the esophagus.

Tools of the Trade: Dance

We’ve realized Straz fans love knowing what goes on outside of the spotlights, so we’re running a short series called Tools of the Trade, listing some cool and maybe-unheard-of tools for life in the performing arts. This week’s spotlight is on dance.

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Rosin Box

Slippery dance shoes? Slick flooring? No problem, thanks to this useful trick-of-the-trade. Filled with small clumps of dried pine sap called rosin that break into sticky crystals, this box lurks in some corner of the stage or studio. Dancers crush the rosin on their pointes or jazz shoes to provide a much-needed grip in dicey dance conditions.

 

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Pliers, Hammers, X-Acto Knives

Guess what? Ballet dancers literally have tools of the trade. These hand tools are must-haves to break in a new pair of pointe shoes. Pliers remove nails, hammers beat the box (the part where the toes go) into submission and X-Acto knives score the tips for traction.

 

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Athletic Tape

A dancer’s toes know. This tool of the trade belongs in studios and dance bags all over the world. Toes and feet need TLC and/or mending after hours hard at work in a pair shoes, be those shoes pointe, tap, salsa, ballroom or jazz sneakers. Barefoot dancers keep tape around for toes as well, often with a companion roll of gauze for blisters, broken skin and the occasional rehearsal sesh that involves parts of the foot’s skin falling completely off.

 

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Preparation H

Dancers love to prepare, and perfection is often the goal. We’re probably going to get in big trouble for revealing that a trade secret (for actors and other performers as well), is using Preparation H on wrinkles before showtime to create a plump, youthful face. Gentle readers, this trick-of-the-trade may not be the best idea for treating your maturing skin at home, but it works for a minute onstage. Ah, there’s no business like show business.